"I don’t paint what I see — I paint what I feel when I’m not looking."
My work is a journey through imagined landscapes — not places I’ve seen, but places that insist on being painted. I do not work from reference, nor from realism. I build my paintings like living organisms: with structure, intuition, and the tension between freedom and form.
Each canvas is a map of inner motion — where architectural rhythms, botanical energy, and abstract forces intersect. I allow color to lead me emotionally, structure to ground me compositionally, and line to carry the thread of thought. Through this, I construct visual environments that feel both ancient and futuristic — ecosystems of memory, motion, and myth.
Though abstract, my work often hints at form: trees, arches, growth, rupture, silence. These are not literal but intuitive: vessels for the viewer’s own inner reading. I am drawn to opposites — chaos and calm, curve and angle, organic and constructed — and I let them clash, braid, or dissolve on the surface of the canvas.
I see painting not as depiction, but as translation — of sensation, energy, and time. Each work is a moment captured, a motion paused mid-bloom. The materials speak back. The imagination doesn't imitate — it creates.
I paint to reveal the hidden architecture of the unseen.